Fresh from the Singapore Biennale, where his installation My We must rank as one of the event’s most photographed pieces, Louie Cordero returns to Manila with Slow Education.  Louie hasn’t had a solo exhibit back here since 2008’s fantastic Absolute Horror, so this comeback to MO Space generated excitement and curiosity among his collectors.  Personally, I wanted to witness the direction Louie would take, given that before the Biennale, he was coming from another big project:  Sacred Bones, his solo at New York’s Jonathan Levine Gallery. Continue reading →