At the gallery's foyer, a grouping of the works of Julius Clar, Kawayan de Guia, Neil Oshima, and Allan Razo

I have conscioulsy refrained from writing about photograph exhibits.  I can appreciate good composition, and to a certain extent, great lighting.  I even follow some of the contemporary art practitioners who work with this medium.  Cindy Sherman and her manifold manifestations fascinates me.  Its  just that I am a total ignoramus when it comes to the processes used to bring forth photographic images.  A real handicap because in the art of photography, just as it is in printmaking, a knowledge of the techniques employed by the artist deepens one’s appreciation of the final output. Continue reading →