Roberto Chabet’s To Be Continued at the CCP

Roberto Chabet, "PIERO", 1999

The Cultural Center of the Philippines (CCP) throbbed with activity when I arrived Saturday morning.  Even if I did beat the crowds who would come later for Mamma Mia’s matinee, an activity in the Little Theater, plus Cinemalaya auditions, meant more groups of people than usual milled about the basement and the fourth floor.  In the third floor, however, the usual quiet reigned over Pasilyo Guillermo Tolentino and Bulwagang Juan Luna, the main gallery, where the bulk of the pieces for Roberto Chabet’s To Be Continued had been installed. Continue reading


The Maestro and the Master: Roberto Chabet and Bencab in Singapore

Roberto Chabet, "Psychopathology of Everyday Life 2.1", "Piero", and "Cargo and Decoy"

Pinoy art lovers couldn’t but strut on the streets of Singapore —after they stopped to catch their breath from all that scurrying from one affair to the next.  Almost all the fringe events organized around Art Stage Singapore last week involved Filipino visual artists. “That says a lot”, art writer Gina Fairley remarked as we discussed the very palpable Philippine presence in an important week for Southeast Asian art.  Mok Kim Chuan, Head of Southeast Asian Paintings at Sotheby’s observed, “For the first time, Filipinos, not the Indonesians, got all the attention.”

Roberta Dans, Annie Sarthou, Isa Lorenzo, and Bencab at STPI

While two days didn’t give me enough time for everything (I completely missed Manuel Ocampo at vwfa), I’d like to think that I caught the two most important exhibit openings of the week:  To be continuedRoberto Chabet at ICAS La Salle, and Bencab’s Glimpses at the Singapore Tyler Print Institute. Continue reading