Ateneo Art Awards 2011: Anatomy of Autonomy

I look forward to the Ateneo Art Awards every year.  I believe that it does a credible job of recognizing the best works by young visual artists.  I do not always agree with their

Bembol dela Cruz and Kawayan de Guia

selections, and I do have an issue with the awards’ age limit.  But overall, I still find it relevant and prestigious, a worthy acknowledgement of efforts undertaken in the past twelve months.  All the chatter that rolls in along with the announcement of winners just adds to the fun!  Yes we get names that appear every year— but doesn’t that just prove that those who always make it to the shortlist consistently do great work?   A key component to the judging process requires artists to recreate an exhibit for the benefit of the panel of jurors.  Yes, this imposes an onerous burden on the artists, one that the galleries must pitch in for. Having exhibits properly documented certainly helps.  But it does prove difficult to capture an exhibit’s original flavor, despite the galleries’— and the artists’—best efforts. Perhaps, this should be addressed.

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Portraits from Inside: Martha Atienza, Bea Camacho, Sam Kiyoumarsi, Pow Martinez

Now this is my kind of group show.  The concept is simple, and you don’t get overwhelmed by the range of pieces on view.  Four

Pow Martinez, "Walking Corpse"

artists seem to be a good number for the venue, both to give each artist enough space to showcase their work, and for the viewer to take in the variety of styles present. Continue reading