Lynyrd Paras Comes Home

Lynyrd Paras, "Tatay"

When Lynyrd Paras decided to pursue an art degree, he didn’t win parental approval immediately.  Like most parents, Lynyrd’s wanted him to study something practical, enroll in a course that would help him secure steady employment.  Lynyrd, however, remained steadfast.

Lynyrd Paras, "Alas Sais Pitong Misteryo"

Lynyrd Paras, "Dapat Alam Mo Kung Kelan Dapat Takpan"

Albert Avellana, of Avellana Art Gallery, spotted Lynyrd’s talent even then.  To encourage the artist to stick to his art degree, Albert would include Lynyrd’s paintings in the gallery’s group shows.  This helped defray the cost of Lynyrd’s materials.

Lynyrd Paras, "Lagi Laging Wala"

We all know that Lynyrd has since reaped the benefits of all his hard work.  His first solo exhibit–his thesis show at CCP in 2007–brought him to the attention of the folks at TAKSU in Singapore and Malaysia.  Lynyrd has since become an art world darling; collectors jostle each other at auctions and gallery exhibits for the chance to acquire his soulful portraits.  With his success came a busy schedule, one that had not given him the chance to come back to where it all began for him—until now.

Lynyrd Paras, "Si Kuya Levin"

Days When Blood Are Tears marks Lynyrd’s first major reappearance at Avellana Art Gallery since his student days. For this exhibit, Lynyrd does portraits of his immediate and extended family. That he uses the people closest to him as his subjects seems so appropriate given that the show signifies a return home.  Lynyrd intimated that his works for this show flowed naturally, that he enjoyed completing them because he felt that he knew each of his subjects very well.

As in the past, faces dominate Lynyrd’s paintings.  They are superimposed on layers of figures and text.  I thought Tatay, his grandfather’s portrait, was the strongest

Lynyrd Paras, "Papa Yel"

piece in the show.  Manila audiences, however, are ready to see Lynyrd push the boundaries of his repertoire further.  We are eager to see him take his talent to other avenues.

Days When Blood Are Tears runs from 4 to 31 December 2010 at Avellana Art Gallery, 2680 FB Harrison St., Pasay City.  Phone (632) 833-8357

Lynyrd Paras, "hindihabangbuhayganito"

Lynyrd Paras

http://www.youtube.com/watch?v=HZVAfxryizE


The TUP Implosion

Neil Arvin Javier, "It Was So Good", mixed media (collage), 153x183 cm

Alrashdi S. Mohammad, "Expand" and "Active", mixed media, 183x137 cm

With the CCP not exactly in my neighborhood, I debated whether I had the time to swing by Implode, a special exhibit of selected alumni from the Technological University of Philippines College of Architecture and Fine Arts.  Luckily, my schedule cooperated, as did the traffic lights on EDSA, and I found myself in the CCP’s third floor gallery in half an hour, right before the show opened. Best of all, save for the artists busy with their last minute arrangements, I had the space all to myself. Continue reading


Lynyrd Paras and His Beautiful Faces

Art critic Alice Guillermo calls them “stark portraits”, while art writer Gina Fairley describes them as “fiery apparitions”.  We

Lynyrd Paras, "Maiisip Mo Ang Wakas Pag Palagi Kang Wasak"

have come to know them well, the soulful eyes and tortured miens that fill the canvases of Lynyrd Paras.  We know to look closely at the shadows of texts and images that lie beneath the surface of his painted faces.  Therein lie the stories that each painting tells; the words give us clues to the tales that Lynyrd chooses to share.  More than just portraits, Lynyrd uses his work to spill out his guts, to take us through the never-ending emotional roller coaster ride that seems to dog his young life.  Usually he deals with relationships, his and those of the people close to him.  His art leaves the romantics feeling his pain, and the more cynical shaking their heads at the melancholia overload.

Lynyrd Paras, "Isang Madilim Na Umaga"

Its been almost two years since Lynyrd’s last solo show, Welcome To My Blackhearted World. Since then, he’s been through a residency grant with Taksu in Malaysia, and staked his claim as one of the most bankable young artists in Manila’s art scene.  He’s taken two local auctions by storm, those at last year’s ManilART and the controversial

Lynyrd Paras, "Tara Tara" and "Wasak Kung Wasak"

Ateneo Alumni event.  One can imagine the jockeying for pieces that accompanied the organizing of this current exhibit, Some Things Are Not Meant To Be Beautiful.

Lynyrd Paras, "Kailangan Mo Matuto Mag-Isa"

Eighteen months ago,  Lynyrd produced mostly self-portraits.  Here, he shows three self portraits along with representations of a few other personages .  However, the one I find most interesting is Maisip Mo Ang Wakas Pag Palagi Kang Wasak. He treats this differently from the rest.  It is the only one where he does not make use of someone’s face.  You get his layers of superimposed figures obscured from beneath a huge skull.  Perhaps this is a direction he can start to explore.  As much as I find his faces as visually arresting as always, it may also be good for Lynyrd to experiment and put his prodigious skill to a test.  He should not be afraid to venture away from what has become a visual signature. We all need to get out of our comfort zones now and again.  No one wants to get stuck in a rut.  And for an artist possessed with Lynyrd’s youth and incredible talent, trying something new may well lead to the creation of even more irresistible pieces.

Lynyrd Paras, "Abangan Nyo Ako Bukas"

Some Things Are Not Meant To Be Beautiful runs from 5 to 20 June 2010 at the Artispace, 2F Glass Wing, Ayala Museum, Greenbelt Makati City.  It moves to the Yuchengco Museum from 21 June to 5 July 2010.  For more information, contact Art Verite at http://www.artverite.net

By Lynyrd Paras

http://www.youtube.com/watch?v=0y-TwAgq_k8



What Is Lynyrd Up To?

Lynyrd Paras Isip-Isip
Lynyrd Paras Isip-Isip

Hardly had Lynyrd Paras recovered from his blockbuster of a  show in December when he had to go off for three months to Malaysia to complete a residency grant that had been in the pipeline since last

Lynyrd Paras Rebrick

Lynyrd Paras Rebrick

year.  Here we have a sneak peek of a few pieces that Lynyrd has done in the time he’s been there.  Can’t wait to see them all!

 

 

 

For more information about Lynyrd’s residency, visit www.rimbundahan.org

Lynyrd Paras Its Time To Think

Lynyrd Paras Its Time To Think

working-lynyrd


Peering Into Lynyrd’s Blackhearted Soul

Lynyrd...

Lynyrd...

Lynyrd’s eyes lock with mine from every corner of the gallery.  In my favorite,  Ang Dilim…Hindi Na Muna Ako Pipikit (How Dark It Is…I Will Not Close My Eyes), they look at me through a mist, an otherwordly, ghostly gaze.  In Manhid (Indifferent),  they beg in

Ang Dilim...Hindi Muna Ako Pipikit

Ang Dilim...Hindi Na Muna Ako Pipikit

mute appeal, trapped in an unconscionable plight.  In Lynyrd, surrounded by a sheen of black, one set of eyes look away, unable to meet mine, as harsh, painful words spurt from his lips, while the other set expresses regret, beseeching forgiveness. In Wala ng Plano Plano (Forget Making Plans), his eyes turn dead, determinedly closed, immune from feeling.  In the last of his self-portraits,  Apoy…Nakakasilaw (Blinded by Flame), sunglasses deliberately shield him, closing off his vulnerability.  

Manhid

Manhid

Wala Nang Plano Plano

Wala Nang Plano Plano

apoy-ang-paligid

Apoy... Nakasilaw

As in every piece he does, Lynyrd does not fear letting it all out, bringing his pain and rawness to the fore.  We feel his jumbled thoughts, articulated as shadowed layers of texts and figures that hover beneath the surface of his images.  We wonder what he has gone through to curse himself as blackhearted.  More than his incredible skill as an artist, more than the excitement that his future will surely generate, we know that when we acquire a Lynyrd Paras work, we bring home a piece of the man himself.

Sirain Mo Ako

Sirain Mo Ako

 Against His Blackhearted World, 3rd Solo Show is on view from 14  to 31 December 2008 at Blanc Compound,  359 Shaw Blvd, Mandaluyong City.  Phone (632)752-0032 www.blanc.ph  and www.lynyrdboxes.com

Ngayon Sabihin Mo Paano Mo Pa Ako Masasaktan

Ngayon Sabihin Mo Paano Mo Pa Ako Masasaktan


TutoK Tackles Crisis; Mike Goes Eclectic

mask

Detail: Neil Pasilan Installation

TUTOKKK:  KRISIS, KALUNASAN…ANONG K MO? AT BLANC COMPOUND

Three years ago, a core group of concerned artists came together to make a stand against the spate of extra-judicial killings that hit unrecognized, anonymous, mostly rural, Filipinos.  Since then, this loosely-organized band of artists, headed by Manny Garibay and Karen Flores, have made it

Manny Garibay and Racquel de Loyola

Manny Garibay and Racquel de Loyola

tradition to put together an exhibit on or around December 1, Human Rights Day.  To quote core member Noel Soler Cuizon, “Tutok employs art as medium, message, and motivation” to call attention to important issues affecting our daily lives, collaborating with NGOs like KARAPATAN and educational institutions such as the University of Sto. Tomas, St. Scholastica’s College, and Ateneo de Manila University.

tutok-foregroundFor this, their anniversary show with an array of over a hundred 18 x 24 inch works, TutoK challenges both artists and the community at large:  what do you make of a nation, and a world, in financial crisis?

The show is on view from 30 November to 10 December 2008 at Blanc Compound, 359 Shaw Blvd, Mandaluyong, Ph: (632)752-0080 www.blanc.ph

Mark Andy Garcia and Lynyrd Paras

Mark Andy Garcia and Lynyrd Paras

 

 

 

 

 

 

 

 

Entrance Installation by Don Salubayba

Entrance Installation by Don Salubayba

By Bogie Ruiz

By Bogie Ruiz

 

 

 

 

 

 

 

 

 

 

Mimi Tecson Collage

Detail: Mimi Tecson Collage

 

 

 

 

 

 

 

 

 

 

By Jay Pacena

By Jay Pacena

 

 

 

 

 

 

 

 

 

 

 

ECLECTIC BY MICHAEL CACNIO

mike-bull

Michael Cacnio’s brass sculptures, with their decorative, often humorous, take on everyday Philippine life may seem poles apart from TutoK’s more

Subok

Detail: Subok

thought-provoking pieces.  Mike’s works are easy and whimsical and popular; his shows quickly sell out.  But the underlying viewpoint perhaps falls within the same spectrum: that of celebrating one’s Pinoyness with aplomb, no matter what life hands you.

Buking!

Buking!

 

 

 

 

 

 

Eclectic by Michael Cacnio, 24 November to 7 December 2008  at 1/0f Gallery, The Shops at Serendra, Bonifacio Global City, Ph (632)901-3152 Email:  1of.gallery@gmail.com


30 Hours in Singapore: ArtSingapore, the Biennale, Christie’s Preview, Thai Encounter, and Dinner with a National Artist

Identities by Ronald Ventura

Identities by Ronald Ventura

Sometimes, a journey planned spontaneously turns out more interesting than one crafted around a carefully drawn up itinerary.  About two weeks ago, this is exactly what happened to me when a last-minute trip to the Lion City yielded a surprising bonanza of memorable exploits.

Turning Back by Ronald Ventura

Turning Back by Ronald Ventura

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