Louie Cordero and Jacob Lindo: Collages at West Gallery

Louie Cordero, "No Future, No Title No. 11"

Over at West Gallery, Louie Cordero and Jacob Lindo bring us the exciting possibilities of collages. As part of the gallery’s monthly quartet of exhibits, both artists have coincidentally mounted solo shows that make use of this art making technique. We witness how a similar approach yields to two distinct aesthetics. Continue reading


My Top Three For 2011

Louie Cordero, "My We", image from www.singaporebiennale.org

 

 

 

 

 

 

 

 

 

 

 

Manila’s art lovers will remember 2011 as the year when Rodel Tapaya made us proud with his APB Signature Art Prize win, Roberto Chabet proved that he’s still at the top of his game after fifty years, and Mideo Cruz exposed the need for Filipino audiences to encounter more  varied forms of artistic expression to broaden their perspectives. Continue reading


Louie Cordero: To Infinity And Beyond

Louie Cordero, "Meta I", detail

The Greek word Meta means beyond or after, an extension of what is known.  Louie Cordero uses it as the title of his latest solo exhibit, and true to its definition, he takes us beyond Earth, beyond his previous works, to share his current fascination for outer space—his kitschy-Pinoy, densely packed, brightly colored version of it anyway. Continue reading


Louie Cordero Gives Us A Slow Education

Fresh from the Singapore Biennale, where his installation My We must rank as one of the event’s most photographed pieces, Louie Cordero returns to Manila with Slow Education.  Louie hasn’t had a solo exhibit back here since 2008’s fantastic Absolute Horror, so this comeback to MO Space generated excitement and curiosity among his collectors.  Personally, I wanted to witness the direction Louie would take, given that before the Biennale, he was coming from another big project:  Sacred Bones, his solo at New York’s Jonathan Levine Gallery. Continue reading


Dragons at Manila Contemporary Gallery

Mariano Ching, "Stigmata (Left Hand)"

Mariano Ching, "Stigmata (Left Hand)"

I get wary when an exhibit’s list of artists reads like your Friends on Facebook (well, not mine).  All too often, these mega-group shows have walls merely carpeted with paintings.

Mariano Ching, "Stigmata (Right Hand)"

Mariano Ching, "Stigmata (Right Hand)"

Galleries end up like your third grade art classroom, everybody’s works just hang there with no rhyme or reason.

So to be honest, I hesitated to see this.  But I suppose when you have Ronald Achacoso and Nilo Ilarde working to put together an exhibit, they manage to steer it from the usual mishmash.  The show’s title, Here Be Dragons, comes from the tradition of medieval map makers to mark the unexplored and the unknown with serpents and other such creatures.  Frankly, I had to ask about the

concept that tied things together.  As the way of group shows of this size,  works came out uneven.  And maybe, it isn’t such a good thing when pieces we’ve seen before get rehashed to fit into another

Exhibit installation view from top

Exhibit installation view from top

idea.  But that doesn’t mean that you don’t find gems.  This show has its share.  Nilo’s installation makes it easy to appreciate each of the artists’ pieces.  It must have been difficult figuring out which works to group together.  That you do not feel stifled and overwhelmed must be credited to his use of  the gallery’s wonderful space.  And the natural light streaming in from the floor to ceiling windows helps make for very agreeable viewing.

Felix Bacolor, " Philippine Geographical Maps from National Mapping and Resource Information Authority"

Felix Bacolor, " Philippine Geographical Maps from National Mapping and Resource Information Authority"

I loved Mariano Ching’s Stigmatas, wooden hands embellished with pyrographs and acrylic images of serpents, lions, crusading ships, and Catholic missionaries.  Felix Bacolor’s installation has a great story behind it.  He

Yasmin Sison, "After Chabet's Boat"

Yasmin Sison, "After Chabet's Boat"

trekked to the National Mapping and Resource Information Authority to seek discards.  Instead they gave him the run of closets full of pre-war Philippine maps.

He shows just a fraction here, the others to be used for future projects.

Funny that I mentioned a grade school classroom project earlier.   Yasmin Sison actually brought one with her in After Chabet’s Boat where she uses paintings of Philippine maps by students of the Cavite Institute.

Whether or not they fit into the show’s concept, Johnny Alcazaren, Bernie Pacquing,  Gerardo Tan, and Trek  Valdizno always deliver quality. Nilo and Chabet as usual,  make us think.

Alwin Reamillo and Juliet Lea, "Kakainin Ba Nila ang mga Saging"

Alwin Reamillo and Juliet Lea, "Kakainin Ba Nila ang mga Saging"

Next to Nano Ching’s piece, I would love to take home  Alwin Reamillo and Juliet Lea’s Kakainin Ba Nila Ang Mga Saging. Unfortunately, unlike the President, I can’t afford the cost of a  dinner at Le Cirque.  Come to think of it, that money would have been better spent on this.

Detail, "Kakainin Ba Nila Ang Mga Saging"

Detail, "Kakainin Ba Nila Ang Mga Saging"

View of installation with works of Bernie Pacquing(left) and Jonathan Olazo (right)

View of installation with works of Bernie Pacquing(left) and Jonathan Olazo (right)

Gerardo Tan, "Track 1"

Gerardo Tan, "Track 1"

Here Be Dragons with Ronald Achacoso, Alex Aguilar, Johnny Alcazaren, Poklong Anading, Felix Bacolor, Ringo Bunoan, Bea

Louie Cordero,

Louie Cordero,"Norwegian Wood"

Camacho, Roberto Chabet, Mariano Ching, Lena Cobanbang, Louie Cordero, Bembol dela Cruz, Dodo Dayao, Nilo Ilarde, Manuel Ocampo, Jonathan Olazo, Jayson Oliveria, Bernardo Pacquing, Gary Ross Pastrana, Alwin Reamillo, Raul Rodriguez, Juni Salvador, Gerardo Tan, Jay Ticar, Trek Valdizno, Cris Villanueva, Reg Yuson runs from 15 August to 6 September 2009 at the Manila Contemporary Gallery, Whitespace, 2314 Chino Roces Ave, Pasong Tamo Extension, Makati.  Phone (632) 844-7228 or visit http://www.manilacontemporary.com

Johnny Alcazaren, "Slow Leak"

Johnny Alcazaren, "Slow Leak"


Viewing The Paulino Que Collection of Young Contemporary Artists (aka, The I Wish They Were Mine Show)

Three years ago, Ambeth Ocampo arranged for the

Kim Atienza and Ayala Museum's Ken Esguerra with Jojo Legaspi's "St Thelma"

Kim Atienza and Ayala Museum's Ken Esguerra with Jojo Legaspi's "St Thelma"

Board of Trustees of the Museum Foundation of the Philippines to view Paulino and Hetty Que’s collection of Philippine art and historical objets.  Ambeth, perhaps only half-kidding, dubbed the occasion the tour of the”… real National Gallery”.  As he took us through the assembly of works, from Juan Luna’s canvases, to Fabian dela Rosa’s landscapes, then onto the Amorsolos, and the Thirteen Moderns, from the Ben Cabs to the Ang Kiukoks, we realized what Ambeth meant.  The staggering display covered the whole gamut of Philippine art history from Damian Domingo’s Academia de Dibujo to the 1980s.   Continue reading