Kim Atienza’s Magnificent Cabinet of Curiosities

Elmer Borlongan, "Laklak", 1994

Kim Atienza inadvertently set me on the road to art addiction.  In 2003, one of the pieces from his collection, Alfredo Esquillo Jr.’s Mamakinley, held me in thrall at the Whitney Museum.  The quest to learn more about an artist I hadn’t heard of till then lured me into the world of contemporary Philippine art. I’ve been fixated ever since. Continue reading


Julie Lluch and Her Girls Do Their Home Works

Julie Lluch, "Aba's Yellow Christ", terracotta and acrylic

Being with family means having the freedom to relax, get goofy, be yourself.  It implies the comfort to do as one pleases. Where else would  Kiri Dalena, artist and activist who takes us to the scenes of massacre and murder, show her irreverent side other than with her family?  Or will her sister Sari share a self-portrait that unabashedly glories in her protruding pregnant belly? Home Works, at the AFM Total Gallery, captures the

Julie Lluch, "Cat", terracotta and acrylic

casual, humorous, and playful atmosphere of a family get together.  The group exhibit presents works by the celebrated sculptor, Julie Lluch, and her three equally-talented daughters.

Aba Lluch Dalena, "Buhay Aso", terracotta and acrylic

Julie brings out intimate pieces, clay and marble renditions of domestic animals and decorative objects that one encounters within the sphere of one’s home.  As we enter the main exhibit area, her sculpture of a startled cat greets us.  Produced in what has now been recognized as a Julie Lluch trademark, she depicts the animal with its hackles raised, its teeth bared, half snarling, half surprised.  The cat’s comical expression in the many versions of this piece never fails to get a laugh out of me.

Julie Lluch, "Crucifix After Aba", terracotta and acrylic

Nearby, as a counterpoint to Cat, we see the first of Aba Lluch Dalena’s works:  two dogs joined together, caught in flagrante, seemingly oblivious to the humans in their vicinity—just as they would be in real life.  Three versions of a crucifix adorn one of the gallery’s walls. Aba’s Yellow Christ is the only one of the three where Julie completes the details of Christ’s head and face.  While I have seen several of Julie’s crucifixes, I have not seen any of these particular ones before.

Aba’s sculpture has been set amongst her mother’s work.

Aba Lluch Dalena, "Home Works 2 (Daddy in Pakil, Laguna)", terracotta and acrylic

Along with Askal,  another  stray pup, and Palaka, a giant green toad, she created four miniature tableaux  full of wonderful detail.

Home Works 2 (Daddy in Pakil, Laguna) shows their father at work, the great Danny Dalena seated before a canvas. It includes a small facade of Pakil’s famous cathedral, echoing

Aba Lluch Dalena, "Home Works 1 (Mommy and her Cacti Heart Sculptures)", terracotta and acrylic

the actual view from the Dalena ancestral home.  Home Works 1(Mommy and Her Cacti Heart Sculptures) is my favorite.  It depicts Julie amidst many of her most recognizable work:  the busts of Van Gogh and Gauguin, spiky cacti, her clay hearts.  Both pieces include playful dogs wiggling on the floor.

Kiri Dalena, "Five Words To Read Aloud (After Daddy)", neon

I thought Kiri’s work the most surprising of all.  Her pieces in this show depart completely from the socio-political commentaries we have come to associate with her.  She cast three larger than life blown up condoms in resin, painted in baby pink, black, and white.  The three have been placed before a neon sign with the

Kiri Dalena, "White Condom (After Daddy)", resin and automotive paint

words teeth, thing, mall, lamb, bought.  If we do as the title suggests, Five Words To Be Read Aloud (After Daddy), we realize why her condoms have such odd shapes!

Exhibit installation of Kiri's work

Beside the condoms, Kiri’s Penis Line (After Mommy) forms a single procession along the entire length of the wall.  Dozens of thumb-sized terracotta penises appear to wiggle, bow, or stand in attention. One can choose to acquire them singly or in groups.  Take your pick!

Two self-portraits complete the show.  One of them is of Julie, an acrylic painting from 1972.  In contrast, Sari represents herself in video, a piece for the 21st century.

Kiri Dalena, "Penis Line (After Mommy)", detail

Home Works runs from 5 to 28 October 2010 at the AFM Total Gallery, Alliance Francaise de Manille, 209 Nicanor Garcia St., (Formerly Reposo St.), Bel Air 2, Makati.  Phone (632) 897-7757 or visit http://www.alliance.ph

 

Kiri Dalena, "Penis Line (After Mommy)", terracotta and acrylic

Julie Lluch, "Self Portrait", acrylic on canvas, 1972

Sari Lluch Dalena, "Self Portrait", video loop

Aba Lluch Dalena, "Askal", terracotta and acrylic

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 



Gilda’s Wondrous Whimsical Watercolors

gilda biyaheng pinoy

Gilda Cordero Fernando, "Biyaheng Pinoy"

(This piece comes out in the November issue of Town And Country Magazine.  In the course of writing this, I spent an exhilarating afternoon with GCF.  As an added bonus to the great conversation, she allowed me to wander through her art collection.  I am sharing pictures of her pieces in this post.) Continue reading


Creations in Clay

Anna Varona, "Revolution No. 9"

Anna Varona, "Revolution No. 9"

What a terrific coincidence that two leading galleries opened shows this week featuring terracotta and ceramic sculpture, pottery, and other stoneware pieces. What a great opportunity to see works from a cross-section of artists working with clay, from the old established hands of Jon and Tessy Pettyjohn and Julie Lluch, to the Negros sculptors Joe Geraldo and Mark Valenzuela, to up-and-coming artists Anna Varona and Pablo Capati. All the great civilizations, from the Egyptians onward, have molded

Aba Lluch Dalena, "Askal"

Aba Lluch Dalena, "Askal"

earth with their hands. These artists help us appreciate this creative expression today. Continue reading