Rodel Tapaya and Marina Cruz Keep It Simple

Rodel Tapaya and Marina Cruz

In Simple Depictions, which opened this week at the Alliance Francaise de Manille’s Total Gallery, Rodel Tapaya and Marina Cruz both exhibit small paintings.  All of Rodel’s works, save for one piece, are acrylic on paper pieces.  He  continues with his series of landscapes and vignettes of everyday life from around their Bulacan home. Continue reading


Terracotta Origins

Joe Geraldo, detail, "Parada Tinik"

Two years ago, I had my first encounter with the sculpture of Roedil “Joe” Geraldo and Israel “Noi” Gonzales.  Together with other artists from the Visayas, they came to Manila, to the Alliance Francaise Total Gallery, in June 2008, and introduced their terracotta pieces.  This month, they return to that very same gallery in a three-man show with Mark Valenzuela, a critically-recognized artist who also shares their passion for working with clay.

Mark Valenzuela, "M" and "Source"

The terracotta that these three artist choose to fondle and shape comes from the richness of the earth where they make their homes. All three have been nourished in Western Visayas, the base from which they work.  As Mme. Deanna Ongpin-Recto, President of Alliance Francaise de Manille, remarked during the exhibit’s opening reception, all three see terracotta as a pure and spiritual medium.  They enjoy a special closeness with this material as it is literally borne from the soil they inhabit.

Israel Gonzales, "Sa Kapawa"

In this show, which they have dubbed Gingikanan or Origin, they use this clay to explore their roots, to look back to their ancestors and forebears, to revisit experiences that have shaped their persons.

Joe, who won first prize at this year’s GSIS Art Competion for sculpture, exhibits the most polished pieces.  Early on in his career, he chiseled his figures out of woodblocks.  He takes inspiration from the rituals of daily

Mark Valenzuela, "Exhibitionist"

life in his native Bacolod to bring us work that strike me as three-dimensional versions of Ang Kiukok’s paintings.  Mark, who has been a short-listed artist for the Ateneo Art Awards, brought out
Exhibitionist, a life-sized piece from his own collection.  I felt, though, that his work and that of Noi’s, who both showed mostly busts, looked interchangeable.  Perhaps they should both start looking beyond past pieces for their future work.

Joe Geraldo, "Diin Padolong"

Mme. Ongpin-Recto also used the exhibit’s opening  to announce the launch of the Alliance Francaise de Manille-Philippine Artists Residency Program. This grant, to be awarded on an annual basis, will allow for one Filipino visual arts practitioner to enjoy a three-month residency in Paris.  As far as I know, this is open to artists 45 years old and below.  Now, that is what I call a great opportunity!

Israel Gonzales, Joe Geraldo, and Jon Pettyjohn with Joe's piece, "Owang"

Origin runs from 3 to 26 August 2010 at the Alliance Francaise Total Gallery, 209 Nicanor Garcia St., Bel Air 2, Makati City.  Phone (632) 895-7585/ 895-7441.

For more information on the Alliance Francaise de Manille-Philippine Artists Residency Program, you may visit the Alliance Francaise or http://www.alliance.ph

Israel Gonzales, "Mal-Am (Elder)"

Mark Valenzuela, detail of "Last Full Show"

Israel Gonzales, "Kusog Tawhanon"

Mark Valenzuela, "Getting Louder Everyday"

http://www.youtube.com/watch?v=1B6dIxFMaLg


April Roundup: Rodel Tapaya, Ling Quisumbing, Lea Lim, Surrounded By Water; May Beginnings: Elmer Borlongan at Sitio Remedios

Rodel Tapaya, "The Aswang Turns Into a Cat"

Rodel Tapaya, "The Aswang Turns Into a Cat"

I arrived from an almost month-long furlough with my husband and kids in busy, bustling, frenetic, and always exciting New York City. I loved rediscovering favorite masterpieces in the great museums and stumbling onto new ones at the contemporary art spaces that dot the city’s art haunts: Chelsea’s Gallery District, the New Museum at Nolita, Soho. But nothing beats plunging headlong into the art scene that never sleeps—that of our very own!

With Melbourne-based curator, Jeff Khan, here for a residency grant with Art Cabinet Philippines, I took advantage of the long May day weekend, and caught up with shows running on their last few days. Aaah— it’s good to be home! Welcome back to me!

DIORAMA BY RODEL TAPAYA

I have always been an unabashed Rodel Tapaya Garcia fan. I discovered his art the first time we organized Art In The Park for the Museum Foundation of the Philippines. Since that sunny June day in 2006, both that annual art event and that small painted face on burlap that I brought home have become very dear to me.

Rodel Tapaya, Cafre of Balayan detail, tin casement

Rodel Tapaya, Cafre of Balayan detail, tin casement

In this show, Rodel continues with his exploration of art beyond paintings. He revisits the diorama, a device that has fascinated him since he started working as a full-time artist. Here, he uses it as a means to narrate the long-forgotten Philippine folk tales that provide substance to his work.

Rodel Tapaya, "Pedro and the Snake"

Rodel Tapaya, "Pedro and the Snake"

Rodel Tapaya, Cafre of Balayan, interior diorama detail

Rodel Tapaya, Cafre of Balayan, interior diorama detail

In the tradition of an altarpiece, he houses each diorama in tin sheets hammered and decorated like the urnas we find in old Filipino homes. Inside, found objects and sculpted wooden figures depict scenes from the old stories. The beauty of the pieces, though, lie in his artisanship, his embellishment of each casing, painting them with figures and forms that continue the myths told within.

Rumor has it that the Singapore Art Museum appropriated four of the pieces for their collection. True or not, that only proves what I’ve always loved about Rodel: he grounds his work on very Pinoy facets, yet they do not feel at all parochial, appealing to both his loyal, local fans and to art collectors beyond our shores.

Rodel Tapaya, Pedro and the Snake, outside detail

Rodel Tapaya, Pedro and the Snake, outside detail

Diorama Rodel Tapaya is on view from 25 April to 16 May 2009 at The Drawing Room, Metrostar Bldg., 1007 Metropolitan Ave, Makati. Ph(632)897-7877 or visit www.drawingroomgallery.com

 

 

 

 

 

 

 

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PENCIL WORKS BY CHRISTINA QUISUMBING

Christina Quisumbing, "Honeycomb"

Christina Quisumbing, "Honeycomb"

Ling Quisumbing has resettled in Manila after almost a decade working in art-related projects in New York. In September last year, she exhibited an assemblage of found objects, Madre, at the Cultural Center of the Philippines, which took inspiration from the process of renovating her grandmother’s old house into a home for herself. Even then I thought that piece fantastic, and, intrigued, wanted to know more about the artist who put it together. What a wonderful surprise to stumble into her current show at the second floor gallery of Manila Contemporary!

Christina Quisumbing, "Nipple"

Christina Quisumbing, "Nipple"

The concept of using various pencils as her medium began, like Madre, with the construction of her home. Piqued by the forms and textures of used pencils discarded by the carpenters who labored at the site, she played around with the idea of using these pencils to create art. Accumulating enough pencils proved to be a story in itslelf. To put together Roll Call, for instance, Ling struck a bargain with the principal of Tomas Morato Elementary School: she would replace a new pencil for every used pencil given to her.

Christina Quisumbing, Roll Call, detail

Christina Quisumbing, Roll Call, detail

Hence, the thin tower of used pencils, many of them labelled with the names of the students who they belonged to.

Christina Quisumbing, "Querida" and "Heart"

Christina Quisumbing, "Querida" and "Heart"

One year and 40,000 pencils later, she brings us interesting sculptural pieces, testaments to her skill and imagination.

Ling is off soon for a two-month residency at Tembi Contemporary in Yogyakarta.

Pencil Works by Christina Quisumbing is part of the group show Parameters+Play+Repetition=Patterns until 10 May 2009 at Manila Contemporary inside Whitespace, 2314 Chino Roces Ave, Makati City. Ph (632) 844-7328 or visit www.manilacontemporary.com

Christina Quisumbing, "Drawing Table"

Christina Quisumbing, "Drawing Table"

 

 

 

 

 

 

 

 

Christina Quisumbing, pencil on paper drawings

Christina Quisumbing, pencil on paper works

 

 

 

 

 

 

 

 

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GIRL BY LEA LIM

When you speak to Lea Lim, you realize how much of herself she puts into her work.  All her seven pieces speak to us of her dreams and longings, her aspirations and reminiscences of things past, her aspirations for the future.

Lea Lim, "Girl"

Lea Lim, "Girl"

In the exhibit’s title piece, the quadriptych Girl, she sees herself as holding her life options in hand. The contents of the jar may vary, but all represent different facets of her

Lea Lim, "Pinning Purpose"

Lea Lim, "Pinning Purpose"

person. In Pinning Purpose, she sees herself as a little girl lost in the woods, so many pathways to take, so many choices out there. She continues to ponder these questions in Little Red Riding and Hold.

Lea Lim, "Hold"

Lea Lim, "Hold"

Girl by Lea Lim is on view until 16 May at Alliance Total Gallery, Alliance Francaise de Manille, 209 Nicanor Garcia St., Bel Air 2, Makati City. Ph (632)895-7441 or visit www.alliance.ph and www.artcabinetphilippines.com

 

 

 

 

 

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IN THE OCEAN WITHOUT A BOAT OR A PADDLE, SURROUNDED BY WATER

I must be the only one in Manila who hasn’t seen this exhibit, and I’m glad I caught it. The story of this group of artists parallels the vicissitudes of recent Philippine contemporary art history . How difficult to believe that less than a decade ago, they struggled for opportunities to show in commercial galleries who scoffed at their art. Today, the exhibit list reads like a who’s who in every collector’s wish list. How inspiring is that?

Jonathan Ching, "Pilgrims"

Jonathan Ching, "Pilgrims"

Lyra Garcellano, "Ruptured" and "Broken"

Lyra Garcellano, "Ruptured" and "Broken"

Mariano Ching, "Up The Hill"

Mariano Ching, "Up The Hill"

I thought that the Ching brothers have come to their own with their works for this show. I loved Mariano Ching’s wall bound sculpture from GI sheets and Jonathan Ching’s origami blackbirds backlit by neon lights.

Geraldine Javier, "Jumping At The Shadows"

Geraldine Javier, "Jumping At The Shadows"

What next for the SBW guys? How exciting to see!

The show features works by artists Argie Bandoy, Jonathan Ching, Mariano Ching, Yasmin Sison Ching, Louie Cordero, Christina Dy, Geraldine Javier, Lyra Garcellano, Eduardo Enriquez, Mike Munoz,Frederick Sausa, Keiye Miranda Tuazon, Wire Tuazon, Alvin Villaruel, Ferdz Valencia. Show runs until 14 May 2009 at Blanc Compound, 359 Shaw Blvd. interior, Mandaluyong City. Ph (632)752-0032 or visit www.blanc.ph

 

 

 

 

 

Louie Cordero, "Dumbskull"

Louie Cordero, "Dumbskull"

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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ELMER BORLONGAN AT SITIO REMEDIOS

borlingan3emailA few, a lucky few, received the privilege of a weekend by the beach at Dr. Joven Cuanang’s Ilocos Norte paradise, Sitio Remedios. For this weekend only, reservations came with more than the promise of bagnet and longganisa by the shores of the South China Sea. Elmer Borlongan’s one man show opened, and fifteen of the chosen had their pick of his pieces on exhibit.borlongan1email

Isn’t it about time that Emong, one of the nicest, nicest artists around, allows us mere mortals the chance to see more of his work, before they get snapped up by the hundreds in his waiting list? A curated exhibition at a beautiful space (SM Art Center? Blanc Compound?) in the near future would be great! Hear hear!

For more information on Elmer Borlongan’s show, visit www.sitioremedios.com or contact Boston Gallery at (632)722-9205

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